List (2011), dir. Hong Sang-soo

The typical nature of a Hong zoom is provocative, with each inspection resulting in a separate personal narrative. In the following shots, a distrust of relatives drives our characters, if not into another country, at least into another place temporarily until the scandalous uncle has turned himself in; hinting slightly at a case similar to…

Mind Game (2004), dir. Masaaki Yuasa

Minuscule, misleading assumptions tease our confused capacity amidst self-doubt, we adopt habits but change very little, only for a point of saturation to illusion a state of betterment. In all truth, it is the same world, yesterday and today, all that has materialized itself is a suspension of disappearing energy. Dreams melt to disappointment and…

Following (1998), dir. Christopher Nolan

Writer-Director Christopher Nolan’s works have ranged from adolescent hormonal epidemics to pure sensory experiences of three-dimensional explanations, but what we have here is a neo-noir experiment that heightens reality in short but effective Danny Boyle-esque adrenaline thrills while delivering stunning results in its tinkering with the medium. The often pondering Bill and his transitions of…

Right Now, Wrong Then (2015), dir Hong Sang-Soo

Windows open, angel outside. Should I be careful or should I be honest? Pretense first, candour later. The first time Hong uses reflections for inquisition wherein the wrong segment, Ham is the only one who looks in the mirror; a stance as of reminiscing how far-flung has his self-deception grown, a manufactured stew of despondency.…

Ae Dil Hai Mushkil (2016), dir. Karan Johar

Flowers are overrated. Happiness is over-sought. A removed line from Johar’s screenplay reads “[1]Khushi ka kya hai? Gham ke aas paas hi to bhatakti hai.” Alizeh’s gift to Ayan is a literal bed of thorns, capsizing any tincture of lust or leading attraction in their vessel of hugs, but Ayan, although subconsciously aware of the…

Dunkirk (2017), dir. Christopher Nolan

No, it neither is the greatest magic trick nor is it Michael Caine’s advice that eschews violence for the day’s liberation. Nolan advances into the beach of sterile hope with honesty, and deviates from his imposition of cheap convention that would normally shatter the religious architecture into cumbersome fragments of blatant exposition. In this meditative…